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Fred Rogers controls a puppet in a black-and-white archival photo
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Mister Rogersā€™ legacy beyond the TV screen

Tags
  • Diversity, Equity, and Inclusion
  • Department of English

In 1993, a library science graduate student named Aisha White got a special opportunity: to introduce Fred Rogers at her Pitt commencement ceremony.Ā 

In her speech she said, ā€œWhen Fred Rogers first appeared on channel 13, I was 14, and at that age, did not hold him in awe.ā€Ā 

ā€œThat changed four years later,ā€ she continued, ā€œwhen I became the proud single mother of a darling baby girl, who grew to love Mister Rogers. To understand the significance of my daughter's relationship with Mister Rogers, you need only multiply that one child's fascination more than 10 million times, since over 10 million children are devoted viewers of Mister Rogers every week.ā€Ā 

That speech was the start of Whiteā€™s long-lasting connection to the famed childrenā€™s entertainer ā€” one that persisted long after his death in 2003.

Aisha White and J. Dennis O'Connor

Today, as director of theĀ Ā in theĀ School of Educationā€™s Office of Child Development, White (A&S ā€™87, SCI ā€™93G, ā€™03G) is one of the many Pitt people whose lives and careers were touched by Rogers.Ā 

ā€œMy advisor at the time was (professor emerita) Margaret Kimmel, who worked closely with Fred. She selected me to introduce Fred,ā€ said White. ā€œAnd so, onstage I talked about my daughter to make that personal connection. She loved ā€˜Mister Rogersā€™ Neighborhood.ā€™ He was her man,ā€ White said with a laugh.Ā 

From 1994 to 2001, White worked alongside Rogers as director of the Mister Rogersā€™ Neighborhood Child Care Partnership, where she developed materials for child care providers to use Rogersā€™ television program to support social-emotional development.Ā 

ā€œFredā€™s office was about 5 feet away from mine. He had a really small, teeny little office and if I ever had any questions, I could go in and ask,ā€ said White.Ā 

Today, White carries on Rogersā€™ legacy by serving as a consultant on the creative team for ā€œDaniel Tigerā€™s Neighborhood,ā€ a modern-day interpretation of Mister Rogersā€™ Neighborhood produced by Fred Rogers Productions. It stars Daniel Tiger, son of Daniel Striped Tiger from the original ā€œNeighborhoodā€ series. Her Emmy Award-winning contributions to the show involve providing input on scripts and making sure the show is culturally relevant ā€” even advising on hairstyles for biracial characters in the show.Ā 

Whiteā€™s colleagueĀ Shannon Wanless, director of theĀ Office of Child Development, is also aĀ consultant for ā€œDaniel Tigerā€™s Neighborhood.ā€Ā 

ā€œI think every single project weā€™re doing at the Office of Child Development, in a way, lives and breathes the Fred Rogers legacy. We honor child development the same way he did in his work,ā€ said Wanless. ā€œJust like Fred did, we are constantly checking to make sure we are being true to theory and research about children.ā€

ā€œFred wasnā€™t afraid to take on difficult issues, and it makes me think of our work here in the Office of Child Development,ā€ said White.

Shannon Wanless and Aisha White

White and Wanless said a memorable phrase from Rogers ties toĀ the P.R.I.D.E Programā€™s work: ā€œWhatā€™s mentionable is manageable.ā€Ā 

ā€œThe P.R.I.D.E Program in particular is really trying to help us understand how racial identity is developing in young children,ā€ said Wanless. ā€œSo, by jumping in and talking with our children, weā€™ll get them in the habit of turning to a parent when they need someone.ā€

Wanless also pointed to the Office of Child Developmentā€™s book drive calledĀ Ā which she said has a similar goal: getting picture books in the hands of adults ā€œto help them address things that may not feel mentionable to them,ā€ and opening the door to address those things with their children.

White added that earning the trust of children, something Fred Rogers was able to do so well, ultimately happens when we talk to them ā€” making things ā€œmentionable.ā€Ā 

ā€œAnother thing Fred often said is that ā€˜We can never know whatā€™s really going on inside a childā€™s mind.ā€™ And we wonā€™t know that unless we begin to have meaningful conversations with our children, develop trust with them and figure out ways to elicit conversation with them,ā€ said White.Ā 

A longer historyĀ 

Long before Rogersā€™ time, conversations about media for children were happening on and around Pittā€™s campusā€”dating back to the late 1800s.

ā€œOne of the many things that are special about Fred Rogers is he was interested in how we can make media actually valuable and appropriate for children,ā€ saidĀ Courtney Weikle-Mills,Ā director of theĀ Ā in theĀ Kenneth P. Dietrich School of Arts and Sciencesā€™Ā Department of English. ā€œAnd these are questions that have been asked in ŗŚĮĻ³Ō¹ĻĶų for a long time.ā€

Courtney Weikle-Mills

Many of the people having those conversations, like Margaret Kimmell, Margaret Hodges and Margaret McFarland, were influential to Rogers, said Weikle-Mills.

ā€œThat longer history that Rogers is a part of is connected to the Childrenā€™s Literature [Certificate] Program in interesting ways,ā€ said Weikle-Mills, who added that Pitt started offering courses in childrenā€™s literature as early as 1933.Ā 

According to Weikle-Mills, the program was developed as an interdisciplinary one ā€” with the idea that people who studied childrenā€™s literature ā€œneeded to also understand child developmentĀ and work with folks who were working directly with children, not just people in the English department.ā€

Arielle Reed (A&S ā€™17) is a mentee of Weikle-Mills and graduate of the Childrenā€™s Literature Certificate Program at Pitt. She now also works for Fred Rogers Productions as a production coordinator, her ā€œdream job,ā€ thanks to a connection made by Weikle-Mills andĀ , associate professor and director of graduate studies in theĀ Department of English.

Reed credits the Childrenā€™s Literature Program for giving her the necessary skills to thrive in her role today.

ā€œPart of what Pitt helped me with is my editorial skills ā€” critically evaluating literature and developing an editorial eye,ā€ said Reed, who spends most of her time working on ā€œDaniel Tigerā€™s Neighborhood.ā€ ā€œSo today, I have a really honed eye for details that matter to the values of Fred Rogers Productions ā€” which are, ultimately, the values of Fred Rogers.ā€

ā€œHe had a lot of things to say that translate into adulthood and being a good person on this planet. This is a necessary thing in todayā€™s climate. I think people need it,ā€ said Reed.

Read and view more Mister Rogers memories from Pitt people on a Ā set up by the Office of ŗŚĮĻ³Ō¹ĻĶų Communications.

An abbreviatedĀ timeline of childrenā€™s media and literature in ŗŚĮĻ³Ō¹ĻĶų

1896:Ā ŗŚĮĻ³Ō¹ĻĶųā€™s Carnegie Library opens one of the first childrenā€™s reading rooms in the country.

1901:Ā Carnegie Library Childrenā€™s Department creates Carnegie Library Schoolā€”Ā  which ultimately becomes Pittā€™s iSchool, and later, the School of Computing and Information.

1930s:Ā Pitt starts offering courses in childrenā€™s literature.

Late 1950s-1980s:Ā Fred Rogers holds weekly meetings with his Pitt mentor, Margaret McFarland.

1968:Ā ā€œMister Rogersā€™ Neighborhoodā€ premieres. Its production takes place for over three decades at WQED Studios, just blocks from Pittā€™s campus.

1976:ĢżMargaret Hodges, graduate of the Carnegie Library School and faculty member of Pittā€™s School of Library and Information Sciences, develops the Elizabeth Nesbitt Room, which houses a collection of archives from ā€œMister Rogersā€™ Neighborhood.ā€

1978:Ā Margaret Kimmell, who studied under Margaret Hodges, joins the ŗŚĮĻ³Ō¹ĻĶų faculty in 1978 as an associate professorĀ in the School of Information Sciencesā€™ Department of Library and Information Sciences.Ā 

1981:Ā Pittā€™s Childrenā€™s Literature Program is established. Kimmell is a co-founder and serves as director.

1996:Ā Kimmel, along with Mark Collins ā€” a creative writing instructor in the English department ā€” edits a collection of essays titled ā€œMister Rogersā€™ Neighborhood: Children, Television, and Fred Rogers.ā€ One of the essays included in this volume was by journalist Jeanne Marie Laskas, who would later become the director of Pittā€™s Creative Writing Program.

2001:Ā Production ends for Mister Rogersā€™ Neighborhood.Ā 

For more information on this history, visit theĀ .